[rave previews for SPRING (trilogy)]

[Wision--SesQuaTercet USA - TM: proposed trademark]Petry System Family Wision USA

in conjunction with

project NEMO


Professors' Spring Break (trilogy)

[stereo-eyes-ed '3.5D' movie-version rating: PG/13]

story by Mr. Raymond Kenneth Petry, Strategic-Director
a Wision--SesQuaTercet USA production

[screenwrite][budget][sets, settings, scenes, roles][music examples][prospectus][script revisions]
[introductory notes to cast and crews][mechanics of screenwriting][project SesQuaTercet][settings]

[science fiction] This story and its sequels turn the whole cosmos inside-out and present reality in a way you never learned it in the ordinary schools: It's about four post-doctorate university researchers, one woman, three men, who slip-out late one night, hop the fence at an obsolete USNavy yard, and peer inside a curious old rusting submarine roped to the dock ... but which is so modern that, one vehicle leading to another, they ride right out of this cosmos - a little astronomical, linguistical, mathematical, and systematical [ALMS Program] exploration. Subsequently returning to Earth, they find Earth-society subtly alien: and they retrace their steps to return to the infinite outercosmos, forever ... but not without leaving a trail - courtesy their college-smart tag-along - and thence commences a cosmic exodus.

[nota bene: some of the scenes-sets are production-identical]

The movie shall be available digitally recorded wide-screen [2:1] stereo-eyes-ed on disk and tape. The initial shoot shall be direct minute-by-minute to giga-byte hard-drive, 4 megapixels/frame, wavelet-compressed, copy-saved to CDROM - the digitized sound and music edited in synchronized frames, fractions of a second - and the final product released on 3D-HDDVideo Disk. The advantage of digital is its reproducibility for the future of both broadcast and movie-house. Image generation shall be further enhanced and assisted by state-of-the-art computer facility. The final result shall be viewable stereo-eyes-ed '3.5D' with white 'sexichrome' or polarized safety-goggles, and (more widely available) HDDVideo, and standard (telecined celluloid) 35mm film, as well as DVD/DTV and VCR.

[The music exampled and specified in the following outline and screenwrite is the Strategic-Director's selection from hundreds of CD's of existing works by artists whose timbre and lyrics fit each on-screen activity, and is not otherwise representative of project SesQuatercet and its purposes ... beginning with a little unstifled oratorio, it jumps right into the modern dance-rhythm musiques: a 'space-bopera']

Mr. Raymond Kenneth Petry, CS, BA, lecturer, is the author of FUNDAMENTAL CONTROVERSES: Christian Science Class Instruction * RKPetry, which takes-up the Holy Biblical Scripture as a synopsis of mankind's Scientific purpose on Earth - it is comprised of about 35 articles. Mr. Petry, 1973 graduate of UCSD, in mathematics, is a former crypto-TEMPEST engineer with Linkabit CORP [now, M/A-COM] of San Diego CA, on digital-radio satellite communications systems for the USA SAC/CommandPost [now reorganized and transferred]. He has served as the Vice President on his Branch Church Executive Board, and is Founder and current Trustee-Director of The Son Dey School of Christ Science and project 'lambhorn'. He has several science-fiction short-stories in his repertoire published at his SesQuatercet scripting site.

[Mr. Petry also maintains several websites and posts on usenet news-groups and forums in the mathematics, sciences, technologies, digital electronic/computer engineering, and USA Presidential political-campaigning]

Abstract Overview


During a Spring break in our current era, four bright university laboratory researchers - four tall handsome clothes models - venture-out into the night to find happiness among the unknown technologies: Their obstacles begin with highways and mundane fences, and jump right into submarine and nuclear sciences, mathematics, celestial mechanics, astrophysics, cosmology, progressively demanding not only more intellect, but more skills, till they have achieved the seemingly very impossible, and left the entire cosmos itself! But even the outside view looking inward upon our cosmos poses thoughtful dangers, and they return home against a barrage of reluctance, disagreement, resistance, opposition, and ultimately, impossibilities and the new threat of being exposed under immanent alien law!

Mere days later as Spring returns, they must return to their own newly advanced studies - their outward-bound curriculae again - but as they've already been slightly discovered by aliens newly extant, they must drag-along one, a sister replacing their one wayward team-member - again, four tall handsome clothes models. They retrace their previous route with renewed intellectual vantage: looking at their once learned lessons from a perspective of cross-expectancy: and learning twice! This time at the top, they keep going all the way, never to return! And they learn even the very infinite has relative finites to learn, ceasely!

Their sets and settings include, a USNavy dockyard at night, open ocean travel at elevated speeds, confrontations with battleships, the South Pole glacial-ice-flow, and an under-ice research complex,  whole stuffed dinosaurs and un-Earthly animals, an escape-rocket to the backside of the moon, an immense underground space-port-complex full of starships for galactic travel, passing-up Jupiter and Neptune, accelerating to the speed-of-light, a swing-round a point-on-the-space-map, aether-slip-stream travel at super-light speed, an astronomically large metal-ring-city orbiting the event-horizon of a gigantic galaxy center 'black-gravity-hole', a cosmic-elevator, and outside our cosmos, a garden area, curious animals, golden-hued fruits, a sunless day and a focus-blinding-bright single-star semi-night, a sharp-edged sky telescopically speckled with infinitely-many 'black-gravity-hole' stars, a river edging the garden, a distant city, and rockets launching, reached by a golden yellow brick road, but then, their faces and hands glowing in the dark, a two shuttle-craft chase diving for the depths of the ring-city's host 'black-gravity-hole', a barrage of out-coming SafeGuard missiles from the moon, and more missiles from Earth, a crash-landing of the starship in the desert, and a hitchhike home with a famous driver. The retraced route is mostly set-similar until they cross the fields,  enter the supercosmosian domed city, its garden-scaped interior and observatory, and meet supercosmosians.

Back home, on the strangely similar alien Earth, the fiance of the sister follows her lead, and gives chase, taking his university nuclear chemistry class and grad-friends - hundreds of handsome clothes models - with him: Opening at her home cordonned-off by police - appropriately dressed - he discovers a vase with a speck of viable anti-matter, and presents this as a table-top experiment before his next evening class. The grad-friends rush to the desert, ten as an A-I-Response team, rent two helicopters to the UFO landing site where the USArmy investigates, start-up the crashed starship 'UFO', pick-up hundreds more of the students under a barrage of missiles, and relaunch for the moon, encounter a barrage of back-side SafeGuard missiles like a video-game, discover and muse more caverns and launch tens of starships, and the golden flag-ship, for fleet exercises, chase and protect his sister's starship when they eventually arrive (they got ahead) and leave the moon for the planets and the swing-point in-space, the aether-slip-stream, the galaxy center black-hole metal-ring-city, where they nuclear-battle space-aliens in starships, leave the fiance in the ring-city cosmic elevator, race back to protect Earth, the fleet battles the incoming aliens approaching and passing the moon toward Earth, they meet the alien survivors, who escape, and they video-link conference with the President of the USA, then leave, forever; the ring-city has been destroyed, and they pick-up a stranded team of supercosmosian data analysts, and head-out for near galaxies.

Settings (Props)

[many of these are compounds of real and virtual, registered by matted blue-screen]



With stars shining above, they huddle black-clad, blackened faces, hard gloves, on the side of the dark 2-4 lane highway across from an abandonned USNavy station on the bay, cars pass with headlights. They bolt across the roadway, across the weedy parking lot fronting the dark station, toss pieces of heavy carpet onto the barbed-wire fence, climb over, rehuddle, run forward to the submarine dock, pause, re-huddle again, hand-plan.
In break, they run up the ramp onto the submarine and climb down the ladder inside, only.
In returns, the docked submarine is becoming lit by 2-4 flood lamps on power generators as the demolition crew prepares their tools, piles submarine debris {fire extinguishers}, they split, run one pair toward the demolition crew, the other around the side, scare them back and last off the dock into the water, run up the ramp onto the submarine, climb down inside, and close, wheel, lock the hatch immediately. Crew returns-runs up the ramp, one to the radio set, calls, another to gather their tools, then up the ramp.
The surfaced submarine path to the cavern is narrow melted ice-wall. The ice cavern is much larger, with an aluminum deck, dock, ramp, wall with door, lock-in-wall. The vessel's flood lamp is the only light source. The air is cold enough to freeze their breath-steam.
They enter from a doorway onto a hand-railed deep ledge, from which they look down on the miles-deep scene of several tens of starships and spaceships, walk passed glass displays of a live 6-leg lizard and a small hairless wrinkled skin piglet, on the way to the glass-wall elevator, enter and descend. The elevator stops at a short landing-gantry connecting at the width of a starship.
A forest-garden of golden fruited trees and bushes, tame animals, rabbits, birds, deer - a quince sweet as a pear. The elevator hut is a stand-alone gleeming metal penthouse, with sliding doors. The gentle narrow river, 20 feet across stream, deep easy sloped shore to 4 feet deep, is a few minutes walk away, the far side is mixed forest, and open field further upstream, with a golden yellow-brick road leading to the far distant 2-3 story domed city. They long-leg run the road into the distance, then binocularred from that distance.
supercosmosian city {returns} (glider, domes, superpersons, garden, escalator, scene)
The glider vehicle is large enough for 2 drivers up front, a rear trunk large enough for 5 to sit, it float-rides above the ground.
The city is 2-3-story, topped everywhere by multiple dark-clear contiguous domes, plain outside at the fields.
Inside, a futuristic-ornate deep-view lush-garden, a thin forest, ample indoor plantings, trees up to the domes, escalators amid the plant-ways, people walk and ride gliders.
The 3rd-4th floor observatory has a video-telescope which Daniel enjoys, picture windows look across the city-top domes, sky-shuttles pass over head, 2 superliners wait to launch, one launches in the credits music-refrain.
modern residential [quarter-acre] district, wide 2-way streets, soft-curbs, side-walk, large open lawn, front-walk, porch, screen-door, tiled entranced, cheerful color-scheme.
In break, the taxi stops in front, they stand talk on the sidewalk, Harry drives passes slowing, stops two-houses up-street [toward west setting sun] - dressed differently, shaved, hair another style, he stands half-out, calls over the car-top to Daniel, gets-back-in, Daniel catches-up, gets-in, then surprised-pause recognizes Harry, they drive away into the sunset, the scene stays for credits, a plane flies over in music-refrain.
In fling, several police cars are parked in front, Harry parks two-houses up the street, with Jaime walks back, up the front-walk, onto the police-cordonned porch, the screen door is open. They exit via the front-walk followed from indoors.
Although this is alien-Earth, the setting may be taken at (our) Area 51 as-is.
In break, they have abrupt-landed their UFO on a flat area amid the desert hills, they run a mile from it to a littered road. A lone big car driven by a man and wife approaches, stops, picks them up. Daniel looks back, watches the UFO hills recede.
In fling, a public heliport near Area 51 has 2 helicopters, blades turning ready, on 3 pads, a rental office, a hangar behind, cars parked about. Harry's team flies the 2 helicopters away up-over close hills, the owner watches TV in the office, the taxi-driver stops-in. Beyond the close hills, Harry's team lands the 2 helicopters, 2 cars await with more team, the radio-transponder, "NCLR" stickers for the helicopter, AIResponse-Team jumpsuits pre-packaged - they dress-up and re-fly.
At Area 51, a designated public zone has 100's of visitors, and parked cars, watching the Army UFO demolition effort around and inside via a walk-up-ramp, Harry's 2 helicopters land near the UFO, the KRWN-TV mobile crew reports, the GEN approaches in a jeep, when Jaime enters with the SGT light blazes from the portal, the SGT and 10 DEM's run out, a wind blows from the UFO, tippling the helicopters, the UFO lifts-off, 3 white-clad bodies and their crushed vehicle are discovered beneath, USArmy medics rush in.
Harry lands the UFO amid the desert hills, 700 students crowd run-up make-shift ramps.

Props & Attire

Strategic-Director: Mr. Raymond Kenneth Petry

Producer-Director: Wision--SesQuaTercet USA

Casting Director: Wision--SesQuaTercet USA

Tactical-Director: [tbd]

Operations-Director: [tbd]

Screenwriter: Mr. Raymond Kenneth Petry

Register: Wision--SesQuaTercet USA

Recipient: N E M O Nuclear Emergency Management

Owner: Lanthus Surrogate Executive Accessions Management

Licenser: [tbd]


The theory of measurement propounded in this work is not to be cited (as) considering contraband or corpses; Nor are the intellectual appurtenances herein to be used for or in the commission of crimes against persons, peoples, properties, or powers (States). May your tabernacle measure true.


© 1997-2001 Mr. Raymond Kenneth Petry

project SesQuatercet