[rave previews for SPRING (trilogy)]

Petry System Family Wision USA

in conjunction with

[Wision--SesQuaTercet USA ™ de facto trademark]project NEMO


Professors' Spring Break (trilogy)

[stereo-eyes-ed '3.5D' movie-version rating: PG/13]

story by Mr. Raymond Kenneth Petry, Strategic-Director
a project SesQuaTercet production

[prospectus][screenwrite][budget][sets, settings, scenes, roles][music examples][script revisions]
[introductory notes to cast and crews][mechanics of screenwriting][project SesQuaTercet][schedule]

[science fiction] This story [Spring Break, and its sequel, Spring Returns, and requel, Spring Fling] turns the whole cosmos inside-out, and presents reality in a way you never learned it in the ordinary schools - it's about four post-doctorate university researchers [a woman and three men] who slip-out late one night to hop the fence at an obsolete USNavy yard, and look inside a curious old rusting submarine roped to the dock ... but which turns-out to be so modern inside that after a pre-programmed visit to the South Pole, they ride right out of this cosmos - a little astronomical, linguistical, mathematical, and systematical [ALMS Program] exploration. Subsequently they return to Earth, but find Earth-society subtly alien - and they retrace their steps to return to the infinite outercosmos, forever ... but not without leaving a trail - courtesy their college-smart tag-along - and thence commences a cosmic exodus.

The movie shall be available primarily digitally recorded wide-screen [2:1] 'stereo-eyes-ed' on digital video disk or digital video tape. The initial 'shoot' shall be direct minute-by-minute to giga-byte hard-drive, 4 megapixels/frame, wavelet-compressed, copy-saved to CDROM - the digitized sound and music edited in synchronized fractions [frames] of a second - and the final product released on HDDV (digital video) Disk. The advantage of digital video is its reproducibility for the future of both broadcast FDTV [Full Definition or stereo-eyes-ed] and movie-house. Image generation shall be further enhanced and assisted by state-of-the-art computer facility. The final result shall be viewable stereo-eyes-ed '3.5D' with white 'sexichrome' or polarized safety-goggles ... telecined celluloid film and standard video disk and tape versions may be available.

[The music exampled and specified in the following outlines and screenwrites is the Strategic-Director's selection from hundreds of CD's of existing works by artists whose orchestral timbre and lyrics fit each on-screen activity, and is not otherwise representative of project SesQuaTercet and its purposes ... beginning with a little unstifled a capella, it jumps right into the modern dance-rhythm musiques: a 'space-bopera']

Mr. Raymond Kenneth Petry, CS, BA, lecturer, is the author of FUNDAMENTAL CONTROVERSES: Christian Science Class Instruction * RKPetry, which takes-up the Holy Biblical Scripture as a synopsis of mankind's Scientific purpose on Earth - it is comprised of about 35 articles. Mr. Petry, 1973 graduate of UCSD, in mathematics, is a former crypto-TEMPEST engineer with Linkabit CORP [now, M/A-COM] of San Diego CA, on digital-radio satellite communications systems for the USA SAC/CommandPost [now reorganized and transferred]. He has served as the Vice President on his Branch Church Executive Board, and is Founder and current Trustee-Director of The Son Dey School of Christ Science and project 'lambhorn'. He has several science-fiction short-stories in his repertoire published at his SesQuatercet scripting site.

[Mr. Petry also maintains several websites and posts on usenet news-groups and forums in the mathematics, sciences, technologies, digital electronic/computer engineering, and Presidential political-campaigning]

Abstract Overview


During a Spring break in our current era, four bright university laboratory researchers - four tall handsome clothes models - venture-out into the night to find happiness among the unknown technologies: Their obstacles begin with highways and mundane fences, and jump right into submarine and nuclear sciences, mathematics, celestial mechanics, astrophysics, cosmology, progressively demanding not only more intellect, but more skills, till they have achieved the seemingly very impossible, and left the entire cosmos itself! But even the outside view looking inward upon our cosmos poses thoughtful dangers, and they return home against a barrage of reluctance, disagreement, resistance, opposition, and ultimately, impossibilities and the new threat of being exposed under immanent alien law!

Mere days later as Spring returns, they must return to their own newly advanced studies - their outward-bound curriculae again - but as they've already been slightly discovered by aliens newly extant, they must drag-along one, a sister replacing their one wayward team-member - again, four tall handsome clothes models. They retrace their previous route with renewed intellectual vantage: looking at their once learned lessons from a perspective of cross-expectancy: and learning twice! This time at the top, they keep going all the way, never to return! And they learn even the very infinite has relative finites to learn, ceasely!

Their sets and settings include, a USNavy dockyard at night, open ocean travel at elevated speeds, confrontations with battleships, the South Pole glacial-ice-flow, and an under-ice research complex,  whole stuffed dinosaurs and un-Earthly animals, an escape-rocket to the backside of the moon, an immense underground space-port-complex full of starships for galactic travel, passing-up Jupiter and Neptune, accelerating to the speed-of-light, a swing-round a point-on-the-space-map, aether-slip-stream travel at super-light speed, an astronomically large metal-ring-city orbiting the event-horizon of a gigantic galaxy center 'black-gravity-hole', a cosmic-elevator, and outside our cosmos, a garden area, curious animals, golden-hued fruits, a sunless day and a focus-blinding-bright single-star semi-night, a sharp-edged sky telescopically speckled with infinitely-many 'black-gravity-hole' stars, a river edging the garden, a distant city, and rockets launching, reached by a golden yellow brick road, but then, their faces and hands glowing in the dark, a two shuttle-craft chase diving for the depths of the ring-city's host 'black-gravity-hole', a barrage of out-coming SafeGuard missiles from the moon, and more missiles from Earth, a crash-landing of the starship in the desert, and a hitchhike home with a famous driver. The retraced route is mostly set-similar until they cross the fields,  enter the supercosmosian domed city, its garden-scaped interior and observatory, and meet supercosmosians.

Back home, on the strangely similar alien Earth, the fiance of the sister follows her lead, and gives chase, taking his university nuclear chemistry class and grad-friends - hundreds of handsome clothes models - with him: Opening at her home cordonned-off by police - appropriately dressed - he discovers a vase with a speck of viable anti-matter, and presents this as a table-top experiment before his next evening class. The grad-friends rush to the desert, ten as an A-I-Response team, rent two helicopters to the UFO landing site where the USArmy investigates, start-up the crashed starship 'UFO', pick-up hundreds more of the students under a barrage of missiles, and relaunch for the moon, encounter a barrage of back-side SafeGuard missiles like a video-game, discover and muse more caverns and launch tens of starships, and the golden flag-ship, for fleet exercises, chase and protect his sister's starship when they eventually arrive (they got ahead) and leave the moon for the planets and the swing-point in-space, the aether-slip-stream, the galaxy center black-hole metal-ring-city, where they nuclear-battle space-aliens in starships, leave the fiance in the ring-city cosmic elevator, race back to protect Earth, the fleet battles the incoming aliens approaching and passing the moon toward Earth, they meet the alien survivors, who escape, and they video-link conference with the President of the USA, then leave, forever; the ring-city has been destroyed, and they pick-up a stranded team of supercosmosian data analysts, and head-out for near galaxies.

Scenes Scripts Revisions Notes


starships all increase liminal acuity


kitchen placement vrs VCR camera view vrs telephone: Diana calls Harry - possible second VCR camera
faces and hands glow in dark moments (under grease paint)
starships all increase liminal acuity
explain 10^20 stars = electron radius
our cosmos: head-in-the-hole 'ostrich' effect
wavelength photon-phasing rate

gravity due aether depth
atomic scale
zeroeth order chaotic offset difference


3. add: 0.999 and so-on discussion: Jaime reads 10-thousand usenet news-posts on 0-point-999 et cetera equals 1 - that's not news anymore - filters daily with headers and duplicated text suppressed - guy named, Petry, proved carry nonexistent - don't keep-up with news? if infinitesimal do not distinguish numbers, then reconsider continuum principle
SDI laser twinkle around starship Bounty windows
starships all increase liminal acuity
11. battle longer, lead-around before Gwen
spoilage-free zone, yeast-free zone - sort-of is - make it official
18. additions

Strategic-Director: Mr. Raymond Kenneth Petry

Producer-Director: Wision--SesQuaTercet USA

Casting Director: Wision--SesQuaTercet USA

Tactical-Director: [tbd]

Operations-Director: [tbd]

Screenwriter: Mr. Raymond Kenneth Petry

Register: Wision--SesQuaTercet USA

Recipient: N E M O Nuclear Emergency Management

Owner: Lanthus Surrogate Executive Accessions Management

Licenser: [tbd]

Petry System Family Wision USA

The theory of measurement propounded in this work is not to be cited (as) considering contraband or corpses; Nor are the intellectual appurtenances herein to be used for or in the commission of crimes against persons, peoples, properties, or powers (states). May your tabernacle measure true.


© 1996-2000 Mr. Raymond Kenneth Petry, Strategic-Director