in conjunction with
presents
Professors' Spring Break
advanced space sciences romantic adventure comedy, PG-13 Sci4fi trilogy
Mr. Raymond Kenneth Petry, Strategic Director
a Wision--SesQuaTercet USA production
Four research professors take the ultimate Spring Break
from classes, the Earth, the galaxy and the university.
And then come back and take those too: A cosmic exodus.
|
(a division of Lanthus Corporation)
[trilogy]
Four university tenure-track researchers hop the fence at the obsolete navy yard
late one night and peer inside an old submarine moored to a dock,- but which is
so modern, that one vehicle leading to another, they explain their way
right out of this cosmos....
Returned to Earth but finding society subtly alien,
they retrace their steps, -with a newly extant sister,- to the infinite
outercosmos forever.... But not without a clue and thence commences a
cosmic exodus. An astronomical linguistical mathematical systematical exploration
turning the universe inside-out, as you never learned in the common universities.
The movie shall be available digitally recorded widescreen 2:1 stereo'eyes'ed
4Mpx 30 fps released on 3D-HD-DVD, HDDVideo, standard 35mm film (telecined
celluloid), home-theater HDTV/DVD/DTV, VCR etc.
(Stereo'eyes'ed 3.5-D is viewable with white
sexichrome or polarized safety-goggles; The advantage of digital is its
reproducibility for the future of both broadcast and movie-house.) The initial
shoot shall be direct to gigabyte hard-drive; wavelet-compressed and copy-saved
to DVD+RAM;- the digitized sound and music edited in synchronized frames-fractions
of a second. Image generation shall be further enhanced and assisted by
state-of-the-art computer facility.
[Music specified in this screenplay is the Strategic Director's selection
from hundreds of CD's of existing works by artists whose timbre and lyrics fit
each onscreen activity, and is not otherwise representative of project
SesQuatercet and its purposes ... beginning a little unstifled a cappella,
it jumps right into the modern dance-rhythm music: a 'space-bopera']
Mr. Raymond Kenneth Petry, independent research scientist, is the author
of FUNDAMENTAL CONTROVERSES: Christian Science Class Instruction, taking-up
the Holy Biblical Scripture as a synopsis of mankind's Scientific purpose
on Earth, (web-published); and as well, Project NEMO advanced-topics
science articles base including his 1984 discovery of presolar
remnant star core Pluton. A 1973 UCSD graduate,
BA, Mathematics Dept., Mr. Petry is a former crypto-Tempest digital electronics
engineer with former Linkabit Corp. of San Diego, CA, in digital radio
satellite communications systems for the former SAC Command Post.
He has also served as Board Of Regents Appointee Lecturer in mathematics
at UH Manoa, HI; and Vice President on his prior branch Church Executive Board,
Eighth of San Diego; and is Founder and current Trustee-Director of The
Son Dey School of Christ Science, the erstwhile project 'lambhorn'; And,
since 2001, is President CEO of Lanthus Corporation and
Director of its Surrogate Executive Accessions Management, and its
new-market PubNatSec and pdqbanking divisions. Mr. Petry writes
science docudrama, science-hypercubed, science-scenario, feature
screenplays, based on satellite photography, Biblical astronomical fact,
correlative scientific Scriptural exegesis, and mathematical induction, in his
repertoire at Wision--SesQuaTercet
USA productions (registrar; division of Lanthus Corp),
where he is also Strategic Director and Principal Screenwriter;
He has several more works in research and development.
As profferred Adult.Basic.Educator to the Internet, Mr. Petry acts as liaison to
scientific organizations primarily in the cosmo-thematical studies, mankind's common
past and connected future, presenting science in an entertaining redacted format.
[Mr. Petry also maintains several websites and posts on usenet news-groups and forums in
the mathematics, sciences, technologies, digital electronics and computer engineering,
and USA Presidential political-campaigning]
Abstract Overview
THE EXTRAPOLATION OF CURIOSITY: SPRING BREAK (1st)
During a Spring Break in our current era, four bright university
laboratory researchers venture-out one night to find happiness among
the unknown technologies: Their obstacles begin with highways and mundane
fences, and jump right into submarine and nuclear sciences, mathematics,
celestial mechanics, astrophysics, cosmology, demanding progressively more
intellect and skills till they have achieved the seemingly impossible and
left the entire cosmos itself!- But the outside view, looking inward on
our cosmos, poses thoughtful dangers too, and they return home under a
barrage of reluctance, disagreement, resistance, opposition, and ultimately,
new impossibilities and the threat of being exposed under immanent alien law!
THE CURIOSITY OF EXTRAPOLATION: SPRING RETURNS (2nd)
Mere days later, still Spring, they're being sought in connection with the UFO
sitting in Area 51, and, better-now-than-never they return to their outward-bound
curriculae again ... But as they've also already been discovered by a sister newly
extant, they take her along as to replace their one wayward team-member; And the new
foursome retraces the previous route with redoubled intellectual vantage, looking
at those once-learned lessons from a new perspective of cross-expectancy and revised
learning twice ... When they reach the top this time they keep going all the way,
never to return,-- And learn that even the very infinite has relative finities
countless!
THE OPPORTUNITY OF EXTREMITY: SPRING FLING (3rd)
Meanwhile back on the strangely similar alien Earth, the fiancé of the sister
follows her lead and gives chase, taking his university nuclear chemistry class
and grad-friends with him:-- Opening at her home cordoned-off by police, he discovers
a vase with an atom of viable antimatter, and presents this as a tabletop experiment
for his evening class. The grads rush to the desert as an A-I-Response team,
rent two helicopters to the UFO-landing site where the USArmy investigates,
start-up the crashed galaxy ship, pick-up hundreds of undergrads, under a barrage
of missiles, and fly to the moon backside, encounter a barrage of SafeGuard missiles
like a video-game, discover caverns of starships and muse and launch tens, and the
golden flagship for fleet exercises, chase and protect his fiancee's starship when
they eventually arrive (they took the longer route), leaving the moon for planets,
the deep-space swing-point, the aether-slipstream, the galaxy center black-hole
metal-ring-city, where they nuclear-battle space-aliens in galaxy ships, leave the
fiancé in the ring-city cosmic elevator, race back to join the fleet already
battling the alien invasion nearing Earth, win, and meet the alien survivors, who
escape, video-link conference with the President of the USA, and leave forever:
The ring-city has been destroyed .... They pick-up a stranded team of supercosmosian
data analysts and head-out across the cosmos to see a new merging cosmos.
THE SETS AND SETTINGS (COMBINED)
Their sets and settings include, a USNavy dockyard at night, open ocean travel at
elevated speeds, a confrontation with battleships, the South Pole glacial-ice-flow
and an under-ice research complex, whole stuffed dinosaurs and un-Earthly animals,
a variety of moon-rockets for escape to the backside of the moon, immense underground
space-port-caverns full of starships for interstellar travel, galaxy ships, passing
Jupiter and Neptune and strange-Jupiter-star, accelerating to the speed-of-light and
redirection swing-rounds at mass-points-in-the-space-map, aether-slipstream travel at
super-light speed, astronomically large metal-ring-cities orbiting the event-horizons
of galaxy-center mega-black-gravity-holes, cosmic-elevators; and outside our cosmos,
a garden landing, curious animals, golden-hued fruits, sunless day, a focus-blinding
bright trillion-star monster amid sharp-edged counter-night and a sky telescopically
speckled with Olber's-paradox-infinitely-many not-so-black gravity-hole stars, a river
edging the garden, a distant city and cosmic spaceliners launching, reached by a golden
yellow uranium-cake brick road, the supercosmosian domed city, its garden-scaped
interior and observatory, and the supercosmosians ... And also, their faces and hands
glow in the dark, a two-shuttlecraft dive into the light-warping depths of the
ring-city's host black-gravity-hole, a barrage of out-coming SafeGuard missiles from
the moon, missiles from Earth, a skirmish with jetfighters, crash-landing a galaxy
ship in the desert, a hitchhike ride with a sci-fi-famous driver, and home in a
quiet footlighted neighborhood.
Prospectus
Coproducer, financing, distribution, for:
Professors' Spring Break trilogy --
"Your extracurricular credit cards:- Don't leave Earth without them!"
a space science-hypercubed-fiction romantic adventure comedy
REF: this prospectus: http://SPRING.Lanthus.net/
Project SesQuaTercet productions is
seeking coproducers, investors, distributors, theatre circuits, line producer,
director of photography, 3DDV-MAX Digital-Video cameras, facilities,
equipments, CGI engineering and editing, for feature moviemaking:
Project SesQuaTercet productions has optioned a significant science articles-base,
NEMO Sciences, and is committed to producing several media
features of scientific derivative - a significant portion being represented in the
following motion picture trilogy:
The story scripted is, Professors' Spring Break trilogy
(SPRING BREAK, SPRING
RETURNS, SPRING FLING), on their course of
mathematical insights and sciences, redacted and retrebled in an expanding lesson of
sublimely aethereal cosmic proportions reaching beyond and outside our present
state-of-the-astrophysics and right out of this cosmos
to the larger realm of the infinite possible; In entertaining
science4-fiction format; in conjunction with
project NEMO.
The Strategic Director's concept is that its numerous ideas are realistic,
not only sufficient to the telling of a good sci-fi story, but cogent to the
contemporary world's proper education in the school studies of sciences and
technologies and the near-future made foreknowable.
Regular viewers will include 3DDV-MAX theaters, HDDVideo feature, 35mm film, and, HDTV/DVD/DTV home-theaters.
The PG-13 rating is recommended for its significant scientific dialog:-
Faster students in lower elementary grades who have learned multiplication
and the metric system may pull-in better-educated parents. The presentation
is light humorous dialog embracing role-models in successive cosmic fashions.
Professors' Spring Break trilogy is targeted for the
college-inclined; There's minimal violence, presented in allusion or elementally,
eg. nav-diagrams over window-blacked nuke detonations in outer-space; no gratuities
but idyllic polite-angle scenes, eg. swimming and washing in a remote river,
designer swimsuit briefs, a street-clothes change to team jumpsuits.
The Director-selected music is expensive, ample, and (much of it already)
choreographed to fractional seconds.
Visual effects and extensive computer scenery graphics shall
match-to-exceed, ranging from deep-space, to Earth-like garden, miles-deep
lunar caverns stacked with hundreds of starships, driving a desert road,
ring-cities around galactic black-holes, a clean modern bedroom, a dazzling
classroom antimatter experiment.
We're envisioning shooting-budgets scoped at
(2002 est.) $3.5Million each, $5.0M market before big names, $7.0M return.
We think this feature movie should be important
to your media because of the impressive potential in portraying reality
in thoughtful perspectives and reassuring your clientele and their customers
of a contemporary adult education that is both publicly enriching and commercially
beneficial, and worthy of your marketing support.
We will appreciate your response and followup correspondence.
The Strategic Director for SesQuaTercet.
Professors' Spring Break -
Spring Returns - Spring Fling -
(trilogy)
REFERENCE: prospectus:
http://SPRING.Lanthus.net/springprospectus.html
[If you received this by FAX or p-mail, we need your e-mail address]
The theory of measurement propounded in this work is not to be cited
(as) considering contraband or corpses; Nor are the intellectual appurtenances
hereďn to be used for or in the commission of crimes against persons, peoples,
properties, or powers (States).
COPYRIGHT: BASIC LIBRARY RULES: NONTRANSFERABLE: READ QUIETLY
CHARGES FOR OTHER USES:
- $1 per copy: impression, reproduction, translation, implementation,
or systematic, paraphrase, depiction, evaluation, comparison;
- plus additional media costs, less efficiency discounts;
- unauthorized use, treble standard;
- final charges greater or lesser per U.S.A. Copyright Law,
regarding fair-use/citation and second-source/mirror-site.
© 1997-2006 Mr. Raymond Kenneth Petry