MOUSE ON THE HORIZON
(Comeback Mouse in Uproar Bit)
a romantic engineered comedy, PG
Mr. Raymond Kenneth Petry, Strategic Director
a Wision--Sesquatercet USA production
The Mouse That Roared, roars back to orbit,
hitching its waggin' to its brightest star.
(a division of Lanthus Corporation)
[index][script][music][sets&settings][budget][prospectus][roles][casting and crews]
Cold War was the dish best served with chutzpah. But it's colder and funnier when the
tiny duchy of Gran Fenwijk restarts the space race for international prestige by
building the world's first nuclear powered space-orbit skyhook and a traditional
spinning roulette-wheel space-hotel at MEO; hires a headwaitress and invites the
world's Presidents for its Grand Opening-Up, and marriage-made-in-heaven finale.
A light-hearted real-science satire. Cf The Mouse That Roared. 1:45 PG
"This time the mouse captures all the world's big cheeses."
This is by design a Hollywood pro forma story expanding one science theory:
the efficiency of a nuclear powered skyhook to MEO ("middle Earth orbit")
on 1/20th the length of a GEO ("geosynchronous") elevator cable--
the expansion is what a little motive and effort might thereby accomplish.
The movie shall be available digitally recorded widescreen 2:1 stereo'eyes'ed
4Mpx 30 fps released on 3D-HD-DVD, HDDVideo, standard 35mm film (telecined
celluloid), home-theater HDTV/DVD/DTV, VCR etc.
(Stereo'eyes'ed 3.5-D is viewable with white
sexichrome or polarized safety-goggles; The advantage of digital is its
reproducibility for the future of both broadcast and movie-house.) The initial
shoot shall be direct to gigabyte hard-drive; wavelet-compressed and copy-saved
to DVD+RAM;- the digitized sound and music edited in synchronized frames-fractions
of a second. Image generation shall be further enhanced and assisted by
state-of-the-art computer facility.
[Music specified in this screenplay is the Strategic Director's selection
from hundreds of CD's of existing works by artists whose timbre and lyrics fit
each onscreen activity, and is not otherwise representative of project
Sesquatercet and its purposes]
Mr. Raymond Kenneth Petry, independent research scientist, is the author
of FUNDAMENTAL CONTROVERSES: Christian Science Class Instruction, taking-up
the Holy Biblical Scripture as a synopsis of mankind's Scientific purpose
on Earth, (web-published); and as well, Project NEMO advanced-topics
science articles base including his 1984 discovery of presolar
remnant star core Pluton. A 1973 UCSD graduate,
BA, Mathematics Dept., Mr. Petry is a former crypto-Tempest digital electronics
engineer with former Linkabit Corp. of San Diego, CA, in digital radio
satellite communications systems for the former SAC Command Post.
He has also served as Board Of Regents Appointee Lecturer in mathematics
at UH Manoa, HI; and Vice President on his prior branch Church Executive Board,
Eighth of San Diego; and is Founder and current Trustee-Director of The
Son Dey School of Christ Science, the erstwhile project 'lambhorn'; And,
since 2001, is President CEO of Lanthus Corporation and
Director of its Surrogate Executive Accessions Management, and its
new-market PubNatSec and pdqbanking divisions. Mr. Petry writes
science docudrama, science-hypercubed, science-scenario, feature
screenplays, based on satellite photography, Biblical astronomical fact,
correlative scientific Scriptural exegesis, and mathematical induction, in his
repertoire at Wision--Sesquatercet
USA productions (registrar; division of Lanthus Corp),
where he is also Strategic Director and Principal Screenwriter;
He has several more works in research and development.
As profferred Adult.Basic.Educator to the Internet, Mr. Petry acts as liaison to
scientific organizations primarily in the cosmo-thematical studies, mankind's common
past and connected future, presenting science in an entertaining redacted format.
[Mr. Petry also maintains several websites and posts on usenet news-groups and forums in
the mathematics, sciences, technologies, digital electronics and computer engineering,
and USA Presidential political-campaigning]
[These musiques are especially exemplary,
and tentatively assigned]
Escape / Kay Cee (Trance Party 3:00)
F-23 ascent, hole capture, Ro-Torbit, leave atmosphere, approach space-Hotel construction site, repeat excerpts
Castles in the Sky / Ian van Dahl (with Marsha) (Trance Party 3:35)
building inside the hotel, a CD plays Dance Music
Ooh Ahh [Ooh Aah], Just A Little Bit / Gina G
L.O.V.E. / E-rotic (unto drone 0:00-55 PG-13-lyrics-dubbed cf "[fun] on the beach")
Look At Us / Sarina Paris (Trance Party 3:46)
alt: symphonic-orchestrate second half postlude
Scream For More / Kate Ryan (Trance Party 3:53)
(listening samples sources)
- Trance Party Vol. 1 © 2001 Robbins Ent. (mixed by The Happy Boys)
- Ultimate Dance Party 1998 © 1997 Arista Rec.
- [E-rotic] © 2001
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peoples, properties, or powers (States).
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