in conjunction with
presents
[stereo-eyes-ed '3.5D' movie-version rating: PG/13]
story by Mr. Raymond Kenneth Petry, Strategic-Director
a Wision--SesQuaTercet
USA production
[science fiction] ... 16 years later the real planet Pluton has
been found beyond the edge of our Solar system, and 29-year old Mi-Kee
(Michelle-Keela) Thomaine, grown-up long since her 8th grade virtual command
aboard her summer-fun ride at the NASA Deep-Space Simulator-Trainor Facility,
returns as a qualified NASA captain, albeit pregnant ... and this trip
is for real: A month from Earth, in deep-space they rendezvous with Pluton,
and begin the search for newEarth and Jehovah's people, or whatever space
aliens may be found way-out there. [The concept
is that StarTrails II is the reality follow-up to a thorough virtual training]
[The music exampled and specified in the following screenwrite is
the Strategic-Director's selection from hundreds of CD's of existing works
by artists whose orchestral timbre and lyrics fit each on-screen activity,
and is not otherwise representative of project SesQuaTercet and its purposes]
Scene 2
'newEarth'
-
[descend the deep atmosphere, pass over the city-planet, dock in a silo-port]
FADE IN
INT - SPACESHIP COMMAND DECK - APPROACH, ENTER CITY-PLANET ATMOSPHERE
beyond but not out of view from the rings of Pluton, they approach and
enter the giantic atmosphere-planet lit by high auroras and low lightnings,
gliding closer until the city-planet becomes apparent looming afore
<music steps in to full orchestral as we approach>
they FLIP SHIP to:
SWITCH
EXT - CITY-PLANET - SPACESHIP PASSES OVERHEAD
their spaceship glides thrust-forward over the city-planet, slowing until
it begins to tilt up on its exhaust
TOGGLE
INT - OBSERVATION DECK, CONTROL STATION - GLIDE OVER CITY-PLANET
MI-KEE and 3 CREW enter and stand at a secondary control station in the
main observation windows, horizontally at first, the sky fore-to-above,
the city-planet behind-to-below, their vessel tilts to stand up-right facing
them forward to view the city to the horizon, the scene is lit by perpetual
aurora and distant lightning
<music lull-swells until we are>
TOGGLE
EXT - FRONT, LOOKING IN
MI-KEE and 3 CREW stand at their secondary control station in the window
watching forward, the city-planet below reflects in the observation deck
wrap-around window curvature
<music full orchestral builds until we yield to them>
SWITCH
EXT - SIDE, PASSING
their spaceship standing full up-right tilting slightly forward on its
low power LDThrust proceeds ahead of us faster than our camera glides over
the city-planet
<music swells to choral as we let them go ahead>
CONTINUE
EXT - REAR, RECEDING-AHEAD
The ultimately absolutely majestic scene with music:
amid the armageddon-esque shimmering sky-high auroras, roiled clouds and
perpetual lightning strikes over the expansive city-planet to the distant
horizon, their spaceship recedes far ahead, showing its own immense length
standing upright in the wide-angle frame, until it halts hovering for:
EXT - QUICK CATCH-UP
as the music ends WE CATCH-UP QUICKLY to where their spaceships hovers
above a space-port dock
INT - OBSERVATION DECK, CONTROL STATION
MI-KEE and 3 CREW silently watch the city-planet and dock rise around them
as their spaceship descends into the space-port dock, till their descent
comes to a full stop and the pantogram-hinge docking-stilts extend to the
walls, momentarily JOSTLING in locking their position in the silo
<background command ad lib>
CUT TO
The theory of measurement propounded in this work is not to be
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appurtenances herein to be used for or in the commission of crimes against
persons, peoples, properties, or powers (states). May your tabernacle measure
true.
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