[nota bene: some of the scenes-sets are production-identical]
The movie shall be available digitally recorded wide-screen [2:1] stereo-eyes-ed on disk and tape. The initial shoot shall be direct minute-by-minute to giga-byte hard-drive, 4 megapixels/frame, wavelet-compressed, copy-saved to CDROM - the digitized sound and music edited in synchronized frames, fractions of a second - and the final product released on 3D-HDDVideo Disk. The advantage of digital is its reproducibility for the future of both broadcast and movie-house. Image generation shall be further enhanced and assisted by state-of-the-art computer facility. The final result shall be viewable stereo-eyes-ed '3.5D' with white 'sexichrome' or polarized safety-goggles, and (more widely available) HDDVideo, and standard (telecined celluloid) 35mm film, as well as DVD/DTV and VCR.
[The music exampled and specified in the following outline and screenwrite
is the Strategic-Director's selection from hundreds of CD's of existing
works by artists whose timbre and lyrics fit each on-screen activity, and
is not otherwise representative of project SesQuatercet and its purposes
... beginning with a little unstifled oratorio, it jumps right into
the modern dance-rhythm musiques: a 'space-bopera']
[Mr. Petry also maintains several websites and posts on usenet news-groups
and forums in the mathematics, sciences, technologies, digital electronic/computer
engineering, and USA Presidential political-campaigning]
During a Spring break in our current era, four bright university laboratory researchers - four tall handsome clothes models - venture-out into the night to find happiness among the unknown technologies: Their obstacles begin with highways and mundane fences, and jump right into submarine and nuclear sciences, mathematics, celestial mechanics, astrophysics, cosmology, progressively demanding not only more intellect, but more skills, till they have achieved the seemingly very impossible, and left the entire cosmos itself! But even the outside view looking inward upon our cosmos poses thoughtful dangers, and they return home against a barrage of reluctance, disagreement, resistance, opposition, and ultimately, impossibilities and the new threat of being exposed under immanent alien law!
Mere days later as Spring returns, they must return to their own newly advanced studies - their outward-bound curriculae again - but as they've already been slightly discovered by a sister, newly extant, they must take her along, replacing their one wayward team-member - again, four tall handsome clothes models. They retrace their previous route with renewed intellectual vantage: looking at their once learned lessons from a perspective of cross-expectancy: and learning twice! This time at the top, they keep going all the way, never to return! And they learn even the very infinite has relative finites to learn, ceasely!
Their sets and settings include, a USNavy dockyard at night, open ocean travel at elevated speeds, confrontations with battleships, the South Pole glacial-ice-flow, and an under-ice research complex, whole stuffed dinosaurs and un-Earthly animals, an escape-rocket to the backside of the moon, an immense underground space-port-complex full of starships for galactic travel, passing-up Jupiter and Neptune, accelerating to the speed-of-light, a swing-round a point-on-the-space-map, aether-slip-stream travel at super-light speed, an astronomically large metal-ring-city orbiting the event-horizon of a gigantic galaxy center 'black-gravity-hole', a cosmic-elevator, and outside our cosmos, a garden area, curious animals, golden-hued fruits, a sunless day and a focus-blinding-bright single-star semi-night, a sharp-edged sky telescopically speckled with infinitely-many 'black-gravity-hole' stars, a river edging the garden, a distant city, and rockets launching, reached by a golden yellow brick road, but then, their faces and hands glowing in the dark, a two shuttle-craft chase diving for the depths of the ring-city's host 'black-gravity-hole', a barrage of out-coming SafeGuard missiles from the moon, and more missiles from Earth, a crash-landing of the starship in the desert, and a hitchhike home with a famous driver. The retraced route is mostly set-similar until they cross the fields, enter the supercosmosian domed city, its garden-scaped interior and observatory, and meet supercosmosians.
Back home, on the strangely similar alien Earth, the fiance of the
sister follows her lead, and gives chase, taking his university nuclear
chemistry class and grad-friends - hundreds of handsome
clothes models - with him: Opening at her home cordonned-off by
police - appropriately dressed - he discovers
a vase with a speck of viable anti-matter, and presents this as a table-top
experiment before his next evening class. The grad-friends rush to the
desert, ten as an A-I-Response team, rent two helicopters to the UFO landing
site where the USArmy investigates, start-up the crashed starship 'UFO',
pick-up hundreds more of the students under a barrage of missiles, and
relaunch for the moon, encounter a barrage of back-side SafeGuard missiles
like a video-game, discover and muse more caverns and launch tens of starships,
and the golden flag-ship, for fleet exercises, chase and protect his fiancee's
starship when they eventually arrive (they got ahead)
and leave the moon for the planets and the swing-point in-space, the aether-slip-stream,
the galaxy center black-hole metal-ring-city, where they nuclear-battle
space-aliens in starships, leave the fiance in the ring-city cosmic elevator,
race back to protect Earth, the fleet battles the incoming aliens approaching
and passing the moon toward Earth, they meet the alien survivors, who escape,
and they video-link conference with the President of the USA, then leave,
forever; the ring-city has been destroyed, and they pick-up a stranded
team of supercosmosian data analysts, and head-out for near galaxies.
Distribution, financing, co/producer for Professors' Spring Break (trilogy), a romantic science-cubed-fiction comedy.
Project SesQuaTercet Productions has optioned a significant mathematical scientific text-base, MATHINK AND MATHOUGHTS (N.E.M.O), and is committed to producing several media features of scientific derivative - a significant portion being represented in the following motion picture (trilogy).
The story is scripted, Professors' Spring Break (trilogy) - SPRING BREAK - SPRING RETURNS - SPRING FLING - a course of mathematical insights to science, redacted and retrebled in an expanding lesson of sublimely aethereal cosmic proportions reaching beyond and outside our present state-of-the-astrophysics, and right out of this cosmos, to the larger realm of the infinite possible. In entertaining science-fiction format: in conjunction with project NEMO. The Strategic-Director's concept is that these numerous ideas are realistic: not only sufficient to the telling of a good sci'fi' story, but cogent to the contemporary world's proper education in the school-studies of the sciences and technologies: the near-future made fore-knowable.
Regular viewers include HDDVideo feature movie theatres, and standard (telecined) 35mm film feature movie theatres. [VCR follow-ons, standard DVD/DTV follow-ons]
The rating is suggested PG/13 for its significant scientific dialog - faster students in lower elementary grades who have learned multiplication and the metric system may pull-in parents of adolescent prodigies - Professors' Spring Break (trilogy) is targeted for the college-inclined: there's minimal violence, presented in allusion or diagram when possible, elementally when necessary: eg. nuke missile detonations in outer-space - no nudity, save a brief scene allusion or angle in each:washing in a remote river in a designer swimsuit brief in BREAK, crossing the river in designer swimsuit briefs in RETURNS, changing outer-clothes to team jumpsuits in the desert in FLING. The presentation is light humorous dialog embracing role-models, modeling several regular costume generations.
The Director-selected music is expensive, ample, and to be choreographed to fractional seconds.
The visual effects and extensive computer scenery graphics shall match-to-exceed, ranging from deep-space to Earth-like garden, miles-deep lunar caverns stacked with hundreds of starships, driving a desert road, ring-cities around galactic black-holes, a clean modern bedroom, even a dazzling class-room anti-matter experiment.
We're envisioning shooting-budgets scoped at $2.4Million each, $3.6M market before big names, $5.0M return.
We think this feature movie is important to your media because of the impressive potential in portraying reality in thoughtful perspectives - and to reassure your clientelle and their customers that there is a contemporary adult education that is both publicly enriching and commercially beneficial, and worthy of your marketing support.
I'll appreciate your present response, and follow-up correspondence.
The Strategic-Director for SesQuaTercet
Professors' Spring Break (trilogy) : BREAK - RETURNS - FLING
[NB: 2-meg-pixel HDDV cameras/camcorders,
recording, and editing equipments are now widely available]
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