[Wision--SesQuaTercet USA - TM: proposed trademark]The Son Dey School of Christ Science

in conjunction with

project 'lambhorn'



[First Journey]

Jehovah in Eden

[stereo-eyes-ed '3.5D' movie-version rating: UV - PG/17]

story by Mr. Raymond Kenneth Petry, Strategic-Director
a Wision--SesQuaTercet USA production

[index][script][music][components][budget][prospectus][roles][revisions and notes][scenes]
[introductory notes to cast and crews][mechanics of screenwriting][project SesQuaTercet]

The story of Jehovah's arrival on Earth with Adam [and carrying Eve] and their life in Adam's Eden kindergarden, scripted, and choreographed to music, tells a plausible beginning of current modern scientifically advancing society, of what actually happened on Earth about 3670 BC, of our common past and our connected future.

Although the ultimate owner shall be the USA 501(c)3 non-profit organization, Son Dey School of Christ Science - project 'lambhorn' - this production shall proceed in project SesQuaTercet as an ordinary movie-making effort: the actors, crews, and reproduction authorities shall be paid ordinary rates, and may be ordinary persons not affiliated with project 'lambhorn' - strict observance of goodly [clean, Godly] speech and conduct on the production location-set notwithstanding. The screenwrite herein is presented as a proposal for contract in open-public-view.

The movie shall be available digitally recorded wide-screen [2:1] stereo-eyes-ed on disk and tape. The initial shoot shall be direct minute-by-minute to giga-byte hard-drive, 4 megapixels/frame, wavelet-compressed, copy-saved to CDROM - the digitized sound and music edited in synchronized frames, fractions of a second - and the final product released on 3D-HDDVideo Disk. The advantage of digital is its reproducibility for the future of both broadcast and movie-house. Image generation shall be further enhanced and assisted by state-of-the-art computer facility. The final result shall be viewable stereo-eyes-ed '3.5D' with white 'sexichrome' or polarized safety-goggles, and (more widely available) HDDVideo, and standard (telecined celluloid) 35mm film, as well as DVD/DTV and VCR.


Their sun supernovas - they escape by nuclear-impulsed needle-rockets swing-pumping through giant-planetary and small-stellar gravity-wells, barely outrunning the plasma tempest - they journey [skip] three-hundred years, arriving [arbitrarily] at our solar system - they de-escape [decelerate] similarly around Pluton and Jupiter, and are immediately chased by local rebels [mutineed hundreds of years earlier] - their chief of security, whose measures earn her respect but consternation, is exiled with her consular-lineaged son and fetal-daughter for their safety while the battle resumes - she sets-up home-and-garden, and as a new Earth-Lord awaits her return to space - their adventures are lessons in morality and ethics - she teaches them how to tend all for their betterment - the garden is eventually destroyed by a flame-spewing earthquake - her people return to rescue her, leaving her children to grow-up as new-Earthers - they return to Venus, their new home. Epi-log: 900 year-old thinks-back: who were we?!

Scenes Settings Sets Props


pre-dawn 120x {introduction} (title-credits, moon, comet, meteors, glow, clouds)
A clear night sky before dawn with a myriad stars showing, scrolls up rapidly, 2sec/deg, choreographed to music-song-cues, the title credits are superimposed fixed not scrolled:
  • a stark bright crescent moon near-new back-lit by Earth-glow
  • a pale distinct comet with developed broom-tail and ion-streamer fromwards sun
  • a splash of several angel-tears meteors of dust and debris traveling with the comet apparently emanating from the Earth zenith
  • then the horizon dawn glow peeks-up with orange and purple-over
  • the sky brightens revealing a patterned splattering of puffy crimson clouds forming
  • instead of sun-up comes large bold sun-glow-yellow title lettering, ARCHAEODUS
    • its letter-aura expands to dim red, obliterates the screen and other titles
    • its center ignites a smaller repetition in brilliant white lettering, brightens
    • its center ignites a tiny repetition in glistering firey blue lettering, brightens
supernova progression escape {opening} (starry space, spaceship, neutrinos, close planet, sun)
In opening, the pre-dawn titular pre-supernova-shelling finale is realized, replaced by a fixed starry space with one brilliant star in the exact screen-center, which, as distant spaceships leave their exhaust-trails in all directions from it, peppers the screen spotty white with a loud clacking neutrino blast in step to music at 4cps - the subjective effect of neutrinoes shot-blasting the brain and retina - and as the needle spaceship escapes diving close passed a giant planet, then close passed a small firey sun, the star at screen-center rapidly enlarges through supernova stages to engulf the entire screen in supernova plasma glow. Each pass of planet and sun amounts to an out-to-forward (east) hyperbolic coursed gravity-well dive coupled with a nuclear-engine power-pulse at peri-aster-mass - a triple-power technique for escape - followed by the faster hyperbolic climb back-out and forward-onward. The view yields close-up details of planet and sun, clouds, spots, spicules, arching flares, and in hyper-passing the sun, the solar wind adds aero-glow to the front of the spaceship's needle angle.
nova looming space {plateau} (spaceship, starry space, pulsar)
After successfully escaping the supernova, the needle spaceship at screen-center glides-on (leftward) across the fixed reaches of starry outerspace, chased by the dull pastel red fringe glow of the brilliant supernova remnant brightened periodically by its pulsar flashing in regular step to music at 2 cps. The nova wind adds aero-glow at the rear of the spaceship. We also look-out-back-down from an inside observatory window.
Jupiter chase {strike} (rings, spaceship, probe, flares, sun, starry space)
In our solar system, against a fixed starry space, a fat-tack-shaped probe pops away from its colossal carriership, tests its simple single-sided vernier evasive skills - spins and figure-eights - passes near-view-left, and propels forward in-toward Jupiter, to meet the needle spaceship decelerating rounding the far side. As the spaceship reappears, the probe accelerates, dives-in through the icy rings, passing a small jovian moon in seconds, and aims for the spaceship, which responds with laser-shots, small nuclear missiles, and tracers and brilliant-pebbles, which as well as the ring dust, sometimes strike, choreographed to the musical clacks, flaring against the dithering probe.
clear night sky {reassign,summary} (shuttle-fireball, fireball, match to starry space)
Appears twice:
  1. in reassign, a quick look-back-up from night-Earth-vantage sees the shuttle entering the Earth's atmosphere in a straight streak of high-temperature plasma
  2. in summary, after the rain, and Adam has laid to rest, the view floats to the ceiling of the cave, and out the entrance, looks-up to the now clear sky, and watches a fireball wandering its brief course across the sky: wishfully reminiscent of the shuttle entry but merely a space rock wistfully evaporating in its plasma, the view then rises skyward, losing the clouds, for clear outerspace toward Venus ...
clear evening sky {re} (ring-star)
In , Adam points to ring-star in evening sky: laser-generated ring-star
starry orbit {reassign} (stars)
starry orbit night Earth {reassign,explain} (shuttle-fireball, red moon rise)
starry space approach Venus {summary} (final credits roll, to white-out)
  • Appearing thrice:
    • in reassign, and explain, the view of outer-space from Earth orbit at 5 mpsec =18Kmph =revolution/5000sec =1degree/15sec, and looking not at the sun
    • in reassign, the night-side of the Earth below - especially the ocean areas and large lakes - appears faintly lit under the shuttle's fireball blaze, and dim moonlight
    • in explain, the night-side forward-east horizon of the Earth below appears faintly red-lit under the eclipsed red moon rise, reflected also in the ocean areas - before it drops from view (this may need to be sped-up to 2sec/deg)
    • in summary, the stars are fixed, and matched with looking-up from Earth, but then proceeds to approach Venus gradually, arriving at and in the white clouds as the theater lights replace the projected movie white seamlessly
    Hejez Range dawn hyper-crossover {reassign} (starry space fades)
    wet Arabia Pishon super-glide-over {reassign}
    North Persian Gulf fly-over {reassign}
    The shuttle descends from orbit over nightside Earth, Africa, the stars rising at 5 mpsec =300 mpmin =18Kmph =revolution/5000sec =4degree/min, just before dawn, and slowing. Choreographed to music rhythm, the shuttle sees dawn burst over the Hejez Range at 3 mpsec =180 mpmin =11Kmph =Arabia:500miles/3min, and glides down the backside eastward in the full morning light, across the Arabia continent following the wet Pishon AKA Wadi Batin AKA Kuwait River, slowing to supersonic to see the sun glint brightly off the four rivers north of the Persian Gulf, then briefly subsonic eastward up the wet Karun to land. [Ca. 3670 BC, Arabia was wet-lush: requires enhanced image] Meanwhile the space-city-ship fragments plasma entering atmosphere overhead: three main long sections, spreading left and right, individually breaking-up in mile-size fragments, which then altogether crash on the eastern Arabia subcontinent
    day sky meteor shower {exile} (moon)
    An orbit period later after they land in the shuttle, the debris of the spaceship has revolved around the Earth, and reenters in meteoric streaks here and there at various angles bearing eastward across the sky.

    Strategic-Director: Mr. Raymond Kenneth Petry

    Producer-Director: Wision--SesQuaTercet USA

    Casting Director: Wision--SesQuaTercet USA

    Tactical-Director: [tbd]

    Operations-Director: [tbd]

    Screenwriter: Mr. Raymond Kenneth Petry

    Register: Wision--SesQuaTercet USA

    Recipient: The Son Dey School of Christ Science : project 'lambhorn'

    Owner: Lanthus Surrogate Executive Accessions Management

    Licenser: [tbd]

    The teachings hereïn are not secularized nor classified: Sunday School pupils, Primary Class students, Normal Class graduates, scholars, researchers, astronomers, scientists, governments, find this coursework timely, modern, global, historical, democratic. The syllabus is the ALMS Program: Astronomics, Linguistics, Mathematics, Systematics: Scientific inferentiation on Holy Biblical Scripture: What actually happened.

    FUNDAMENTAL CONTROVERSES: Christian Science Class Instruction * RKPetry

    The Son Dey School of Christ Science

    The theory of measurement propounded in this work is not to be cited (as) considering contraband or corpses; Nor are the intellectual appurtenances hereïn to be used for or in the commission of crimes against persons, peoples, properties, or powers (States). May your tabernacle measure true.


    © 1996-98 Mr. Raymond Kenneth Petry, lambhorn@ChristScience.US 
    © 1996-2002 Mr. Raymond Kenneth Petry, Strategic-Director

    project SesQuatercet