in conjunction with
presents
ARCHAEODUS
[First Journey]
Jehovah in Eden
[stereo-eyes-ed '3.5D' movie-version
rating: UV - PG/17]
story by Mr. Raymond Kenneth Petry, Strategic-Director
a Wision--SesQuaTercet
USA production
The story of Jehovah's arrival on Earth with Adam [and carrying
Eve] and their life in Adam's
Eden kindergarden, scripted, and choreographed to music, tells a plausible
beginning of current modern scientifically advancing society, of what actually
happened on Earth about 3670 BC, of our common past and our connected future.
Although the ultimate owner shall be the USA 501(c)3 non-profit organization,
Son
Dey School of Christ Science - project 'lambhorn'
- this production shall proceed in project SesQuaTercet as an ordinary
movie-making effort: the actors, crews, and reproduction authorities shall
be paid ordinary rates, and may be ordinary persons not affiliated with
project 'lambhorn' - strict
observance of goodly [clean, Godly] speech
and conduct on the production location-set
notwithstanding. The screenwrite herein is presented as a proposal for
contract in open-public-view.
The movie shall be available digitally recorded wide-screen [2:1]
stereo-eyes-ed on disk and tape. The initial shoot shall be direct minute-by-minute
to giga-byte hard-drive, 4 megapixels/frame, wavelet-compressed, copy-saved
to CDROM - the digitized sound and music edited in synchronized frames,
fractions of a second - and the final product released on 3D-HDDVideo Disk.
The advantage of digital is its reproducibility for the future of both
broadcast and movie-house. Image generation shall be further enhanced and
assisted by state-of-the-art computer facility. The final result shall
be viewable stereo-eyes-ed
'3.5D' with white 'sexichrome' or polarized safety-goggles, and (more widely
available) HDDVideo, and standard (telecined celluloid) 35mm film, as well
as DVD/DTV and VCR.
abstract
Their sun supernovas - they escape by nuclear-impulsed needle-rockets
swing-pumping through giant-planetary and small-stellar gravity-wells,
barely outrunning the plasma tempest - they journey [skip] three-hundred
years, arriving [arbitrarily] at our solar system - they de-escape [decelerate]
similarly around Pluton and Jupiter, and are immediately chased by local
rebels [mutineed hundreds of years earlier] - their chief of security,
whose measures earn her respect but consternation, is exiled with her consular-lineaged
son and fetal-daughter for their safety while the battle resumes - she
sets-up home-and-garden, and as a new Earth-Lord awaits her return to space
- their adventures are lessons in morality and ethics - she teaches them
how to tend all for their betterment - the garden is eventually destroyed
by a flame-spewing earthquake - her people return to rescue her, leaving
her children to grow-up as new-Earthers - they return to Venus, their new
home. Epi-log: 900 year-old thinks-back: who were we?!
Scenes Settings Sets Props
Scenes
pre-dawn 120x {introduction}
(title-credits, moon, comet, meteors, glow, clouds)
A clear night sky before dawn with a myriad
stars showing, scrolls up rapidly, 2sec/deg, choreographed to music-song-cues,
the title credits are superimposed fixed not scrolled:
-
a stark bright crescent moon near-new back-lit
by Earth-glow
-
a pale distinct comet with developed broom-tail
and ion-streamer fromwards sun
-
a splash of several angel-tears meteors
of dust and debris traveling with the comet apparently emanating from the
Earth zenith
-
then the horizon dawn glow peeks-up with orange
and purple-over
-
the sky brightens revealing a patterned splattering
of puffy crimson clouds forming
-
instead of sun-up comes large bold sun-glow-yellow
title lettering, ARCHAEODUS
-
its letter-aura expands to dim red, obliterates
the screen and other titles
-
its center ignites a smaller repetition in brilliant
white lettering, brightens
-
its center ignites a tiny repetition in glistering
firey blue lettering, brightens
|
supernova
progression escape {opening}
(starry space, spaceship, neutrinos, close planet, sun)
In opening, the pre-dawn
titular pre-supernova-shelling finale is realized, replaced by a fixed
starry space with one brilliant star in the exact screen-center, which,
as distant spaceships leave their exhaust-trails in all directions from
it, peppers the screen spotty white with a loud clacking neutrino blast
in step to music at 4cps - the subjective effect of neutrinoes shot-blasting
the brain and retina - and as the needle spaceship escapes diving close
passed a giant planet, then close passed a small firey sun, the star at
screen-center rapidly enlarges through supernova stages to engulf the entire
screen in supernova plasma glow. Each pass of planet and sun amounts to
an out-to-forward (east) hyperbolic coursed gravity-well dive coupled with
a nuclear-engine power-pulse at peri-aster-mass - a triple-power technique
for escape - followed by the faster hyperbolic climb back-out and forward-onward.
The view yields close-up details of planet and sun, clouds, spots, spicules,
arching flares, and in hyper-passing the sun, the solar wind adds aero-glow
to the front of the spaceship's needle angle. |
nova
looming space {plateau} (spaceship,
starry space, pulsar)
After successfully escaping the supernova,
the needle spaceship at screen-center glides-on (leftward) across
the fixed reaches of starry outerspace, chased by the dull pastel red fringe
glow of the brilliant supernova remnant brightened periodically by its
pulsar flashing in regular step to music at 2 cps. The nova wind adds aero-glow
at the rear of the spaceship. We also look-out-back-down from an inside
observatory window. |
Jupiter
chase {strike} (rings, spaceship,
probe, flares, sun, starry space)
In our solar system, against a fixed starry
space, a fat-tack-shaped probe pops away from its colossal carriership,
tests its simple single-sided vernier evasive skills - spins and figure-eights
- passes near-view-left, and propels forward in-toward Jupiter, to meet
the needle spaceship decelerating rounding the far side. As the spaceship
reappears, the probe accelerates, dives-in through the icy rings, passing
a small jovian moon in seconds, and aims for the spaceship, which responds
with laser-shots, small nuclear missiles, and tracers and brilliant-pebbles,
which as well as the ring dust, sometimes strike, choreographed to the
musical clacks, flaring against the dithering probe. |
clear night sky {reassign,summary}
(shuttle-fireball, fireball, match to starry space)
Appears twice:
-
in reassign, a quick look-back-up from night-Earth-vantage
sees the shuttle entering the Earth's atmosphere in a straight streak of
high-temperature plasma
-
in summary, after the rain, and Adam has laid
to rest, the view floats to the ceiling of the cave, and out the entrance,
looks-up to the now clear sky, and watches a fireball wandering its brief
course across the sky: wishfully reminiscent of the shuttle entry but merely
a space rock wistfully evaporating in its plasma, the view then rises skyward,
losing the clouds, for clear outerspace toward Venus ...
|
clear evening sky {re}
(ring-star)
In , Adam points to ring-star in evening sky:
laser-generated ring-star |
starry orbit {reassign}
(stars)
starry orbit night Earth {reassign,explain}
(shuttle-fireball, red moon rise)
starry space approach Venus {summary}
(final credits roll, to white-out)
Appearing thrice:
-
in reassign, and explain, the view of outer-space
from Earth orbit at 5 mpsec =18Kmph =revolution/5000sec =1degree/15sec,
and looking not at the sun
-
in reassign, the night-side of the Earth below
- especially the ocean areas and large lakes - appears faintly lit under
the shuttle's fireball blaze, and dim moonlight
-
in explain, the night-side forward-east horizon
of the Earth below appears faintly red-lit under the eclipsed red moon
rise, reflected also in the ocean areas - before it drops from view (this
may need to be sped-up to 2sec/deg)
-
in summary, the stars are fixed, and matched with
looking-up from Earth, but then proceeds to approach Venus gradually, arriving
at and in the white clouds as the theater lights replace the projected
movie white seamlessly
|
Hejez Range
dawn hyper-crossover {reassign}
(starry space fades)
wet Arabia Pishon super-glide-over {reassign}
North Persian Gulf fly-over {reassign}
The shuttle descends from orbit over nightside
Earth, Africa, the stars rising at 5 mpsec =300 mpmin =18Kmph =revolution/5000sec
=4degree/min, just before dawn, and slowing. Choreographed to music rhythm,
the shuttle sees dawn burst over the Hejez Range at 3 mpsec =180 mpmin
=11Kmph =Arabia:500miles/3min, and glides down the backside eastward in
the full morning light, across the Arabia continent following the wet Pishon
AKA Wadi Batin AKA Kuwait River, slowing to supersonic to see the sun glint
brightly off the four rivers north of the Persian Gulf, then briefly subsonic
eastward up the wet Karun to land. [Ca. 3670
BC, Arabia was wet-lush: requires enhanced image]
Meanwhile the space-city-ship fragments plasma entering atmosphere overhead:
three main long sections, spreading left and right, individually breaking-up
in mile-size fragments, which then altogether crash on the eastern Arabia subcontinent |
day sky meteor shower {exile}
(moon)
An orbit period later after they land in the shuttle,
the debris of the spaceship has revolved around the Earth, and reenters
in meteoric streaks here and there at various angles bearing eastward across
the sky. |
Tactical-Director: [tbd]
Operations-Director: [tbd]
Licenser: [tbd]
The teachings hereïn are not secularized nor classified:
Sunday School pupils, Primary Class students, Normal Class graduates, scholars,
researchers, astronomers, scientists, governments, find this coursework
timely, modern, global, historical, democratic. The syllabus is the ALMS
Program: Astronomics, Linguistics, Mathematics, Systematics: Scientific
inferentiation on Holy Biblical Scripture: What actually happened.
FUNDAMENTAL CONTROVERSES: Christian Science Class Instruction * RKPetry
The theory of measurement propounded
in this work is not to be cited (as) considering contraband or corpses;
Nor are the intellectual appurtenances hereïn to be used for or in
the commission of crimes against persons, peoples, properties, or powers
(States). May your tabernacle measure true.
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